About
My early experiences of place-based narratives and regional identity form my understanding of public history and the institutions that maintain it: My mother worked part-time in the local history museum before I started Kindergarten while my father worked night shifts at General Motors. When childcare was hard to find, she would bring me with her. I got my first job there, where I worked every summer until college, the museum being one of few opportunities to earn money in the rural Wisconsin town where I grew up. As I learned then, traditional institutions like museums serve an important role in a community by preserving local identity. At the same time, they can easily become fixed, and no longer reflect the values of the communities they serve.Institutions are not too big or established to evolve, however fixed, and instead of falling into feelings of cynicism or powerlessness, I am motivated to expose the points I can leverage for reform. These days, when I’m not campaigning to remove monuments in a local public park or protesting weapons manufacturers who sit on the board at the Whitney, you can find me meeting friends for coffee or walking my dog where I now live with my partner in Kingston, New York. In 2024, with the support of doctors, family, and friends, I was diagnosed with autism, and am currently navigating an understanding of a life with disability.
Short biography
Frances Cathryn combines archival research, media theory, and social design to recontextualize American visual culture. Her criticism on topics ranging from the myth of American exceptionalism to marginalized historical landscapes has been featured in such publications as Frieze, the Los Angeles Review of Books, ARTnews, the Brooklyn Rail, and Social Text journal. Frances has curated projects exhibited at the Center for Photography at Woodstock in Kingston, New York, and the Gallery at Heimbold Visual Arts Center, Sarah Lawrence College. In fall 2025, Frances will join the Department of Art History and Archaeology at Columbia University to begin her doctoral research in the history of photography as a technology, social object, and historical document.
Photograph by GP Selvaggio
Education
In fall 2025, Frances will join the Department of Art History and Archaeology at Columbia University to begin her doctoral research in the history of photography.